All images were taken with Nikon analog stuff (F2, FM2) on film through a super crisp and brilliant 2.0 28 mm Nikkor lens mostly, procured with an obscenely low bid from e-bay. A shame people swap such premium glass for wonky DX zooooooms.
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Slides are vacuumed into the computer by a Minolta slide scanner that makes noises like a roller compactor in the process but amazingly pumps 39 Mpixels per piece into the computer. With those 5400 dpi you can watch bacteria nibbling off the transparencies.
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Digital helperers include a Realviz Stitching Machine for the super wide panoramas and some Photoshop Massage. ....................................................................
I'm an animation artist. (animating pixels, not holiday makers)