TANGO... SHALL WE DANCE?

TANGO... SHALL WE DANCE?
"Por una cabeza"
Por una cabeza
de un noble potrillo
que justo en la raya
afloja al llegar,
y que al regresar
parece decir:
No olvidés, hermano,
vos sabés, no hay que jugar.
Por una cabeza,
metejón de un día
de aquella coqueta
y burlona mujer,
que al jurar sonriendo
el amor que está mintiendo,
quema en una hoguera
todo mi querer.

Por una cabeza,
todas las locuras.
Su boca que besa,
borra la tristeza,
calma la amargura.
Por una cabeza,
si ella me olvida
qué importa perderme
mil veces la vida,
para qué vivir.

Cuántos desengaños,
por una cabeza.
Yo jugué mil veces,
no vuelvo a insistir.
Pero si un mirar
me hiere al pasar,
sus labios de fuego
otra vez quiero besar.
Basta de carreras,
se acabó la timba.
¡Un final reñido
ya no vuelvo a ver!
Pero si algún pingo
llega a ser fija el domingo,
yo me juego entero.
¡Qué le voy a hacer.!

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Tango, un sentimiento con magia y misterio... Javier Kambrosis
From a beautiful friend DOLO this splendid work of Tango... http://cid-d9c088468135d293.skydrive.live.com/browse.aspx/Diaporamas%20y%20PPS%20hechos%20por%20mi/TANGOS

Sexual desire, in sublimated sensuality and melancholy or sadness resulting from a permanent state of dissatisfaction, are the central components of tango

Emerges and develops employees in districts surrounding the towns rioplatense the 'suburb'. Tango for the suburb is the inspiring muse, a place of belonging that must not be abandoned or betrayed, or forgotten. Above all, the tango is a man (and woman) 'neighborhood'

Packer Argentina

Arrabal amargo...
Con ella a mi lado
no vi tus tristezas,
tu barro y miserias,...Arrabal amargo
M.: Carlos Gardel. L.: Alfredo Le Pera

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The bandoneon is the heart of the music of tango. It has been said that "bandoneon and tango are the same thing." Of German origin, was adopted by the tango at the beginning of the twentieth century to replace the initial presence of the flute and complete the unmistakable sound of tango. later with the addition of piano, replacing the guitar, and developing a performance technique especially tango, founded on the rhythmic percussion. Thus the basis of instrumental tango is defined as a trio of bandoneon, piano and violin.
Packer...Argentina

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Kambrosis

Lastima, bandoneón, mi corazón
tu ronca maldición maleva
tu lágrima de ron me lleva
hacia el hondo bajofondo
donde el barro se subleva.
La última curda11
Música: Aníbal Troilo. Letra: Cátulo Castillo

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Kambrosis Argentina

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BAI, Argentina

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BAI, Argentina
salon
calle
bar

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Kambrosis

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The letters are made based on a local slang known as slang and generally express the sadness, especially "the things of love.
caminito letter song Moacir Medeyros Alves

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Tango song was lightened by the theater and the tango is often compared with a dramatic piece of theater: the tango singer is a fairly accurate drama. Thanks also to Carlos Gardel, who chose to interpret and make melody to the verses that best portray the feelings of the man in the city, its people, their language, places and idiosyncrasies, and especially the spirit of the people
Kambrosis

The choreography, designed from the embrace of the couple, is extremely sensual and complex. The complexity of the steps does the phrase or whatever you want to convey during the dance. This is to express a feeling full of sensuality, not sexuality, where the primary is not only the steps or figures that make the dancers with their feet. Nothing is worth a perfect technique, perfect timing or when the facial expression of the dancers did not transmit feelings. Everything in the tango dance is tied, eyes, arms, hands, every movement of the body along the rhythm of tango and monitor what they are living: three minutes of a romance between two people who are perhaps just know and who probably do not have a romantic relationship in real life.
Packer Argentina

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Raulcanc

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chuito Argentina

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Moacir Medeyros Alves


Mac Kostromine

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Jeroen Krol

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Marta Diaz

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Laura LIzancos Mora

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HP

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Nonkel Duvel

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kawasaki

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yeti.man

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Dave Moore

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nuno 1968

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Jean Francois Magnaval

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M Fernando

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Patricia Verburg

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Pietro

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mariina

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Silvia O

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inaira

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zerega

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Eduardo Carreira

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Kenneth Mucke

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Bruno G
Y todo a media luz,
que es un brujo el amor,
a media luz los besos,
a media luz los dos.
Y todo a media luz
crepúsculo interior.
¡Qué suave terciopelo
la media luz de amor!

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MANUEL CABRITA

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Mika Lehitimaki URUGUAY
Grave of Carlos Gardel,

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Marcos URUGUAY

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eduardo carreira MEXICO

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DOLO Spain

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GaVvo Colombia

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NETHERLANDS
giz

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Jan Hemels ( sorry by the mistake) this is te correc lastname

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millie

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gerard schoth

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POLAND
maximus38/woophy

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UNITED STATES
Bryan Gover

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DENMARK
Cowgirl

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PORTUGAL
Armando Isaac



Jose Ma. L. Simones

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UNITED KINGDOM
keefa chan

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FRANCE
Vincent 21

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TURKEY
Caner

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GARDEL haunted by the nightmare of their tendency to gain weight, weight 118 kg, But ... a force of gymnastics, where the demands of image is called, got down to 76 kilos of an acceptable trouser. Trouserpress so that not only involved women from men's fashion was a "talk like Gardel" combing "," dress "" smile
Kambrosis

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Mika Lehitimaki URUGUAY
Grave of Carlos Gardel,

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Each musical strophe, each passage, each has different tango moments, you can not dance a tango to a completely identical pattern of conduct for the entire melody. Cadences are sad, happy, sensual and euphoric, quiet or grand final, in music-in-music crescendo or diminuendo, only expresses the feelings and these are the dancers carried on his feet and his whole body.

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If you feel it, dance!!!